Based in Pittsburgh, Pennsylvania, The Documentary Works, and founded and managed by Brian Cohen, (TDW) commissions, produces and distributes collaborative photo documentaries, focusing on social and environmental justice.  Our collaborative efforts bring together photographers, writers, designers, curators, and printers, who are committed to delivering moving and honest narrative on subjects we care about deeply.  In partnership with a wide diversity of host venues, TDW projects provide the space within which members of the public are encouraged to engage with each other and the subject matter, leading to a more informed, and respectful conversation for all involved.

TDW projects, such as those highlighted on this website, are the product of the collective efforts of our team, and of the enthusiastic and supportive environment that together they generate.

For more information, please contact us here.

The words and pictures on this website remain the joint property of the creators and TDW.  Please respect the fact that they represent our livelihood as well as our passion, and refrain from using them without permission.

Out of Many: Stories of Migration

Out of Many: Stories of Migration is a series of exhibits, events and conversations produced by The Documentary Works, centering around the work of five photographers and two writers working out of Pittsburgh, Pennsylvania. The project features the faces and experiences of multiple generations of migrants and immigrants, and their descendants. Working from the premise that we have all come from somewhere, Out of Many explores the central role that migration and immigration have played, and continue to play, in the formation of our identity and culture, and in sustaining our economy – and in so doing, aims to create a space for civil, constructive conversation about belonging and cultural heritage today.

With original, contemporary photography and essays, Out of Many uses Pittsburgh’s story as a lens through which to examine the broader American immigration and migration experience.

Out of Many is co-curated by Laura Domencic and Brian Cohen. The project highlights the photography of Scott Goldsmith, Nate Guidry, Lynn Johnson Annie O’Neill, and Brian Cohen. It includes a major exhibit of photographs, and a 120-page, full-color book of the photography, designed by Brett Yasko, and featuring essays by Public Radio journalists Erika Beras and Reid Frazier, and by Brian Cohen.

Generous support for Out of Many was provided by: Opportunity Fund; Elizabeth Firestone Graham Foundation; Hillman Foundation; Heinz Endowments; The Fisher Fund of The Pittsburgh Foundation; PNC Charitable Trusts; and The Pittsburgh Foundation. Their faith in The Documentary Works is deeply appreciated.

Shown here is Brian’s contribution to the photographic portion of the project: photographs of buildings used by migrant and immigrant communities in southwestern Pennsylvania over the past century or so. Some of these buildings retain their original function, others have long been discarded. Some were purpose-built, others repurposed. There are old buildings, and new; some serve communities just arrived, others have been gathering places for generations.

Individually, each building represents in part a community’s effort to assert its adopted American identity, while retaining its particular sense of self, be it racial, religious, ethnic, or otherwise. They run the gamut, from community centers, to houses of worship, grocery stores, social clubs, and mutual-aid societies.

The buildings are the products of people who came to America under a variety of circumstances. Some were fleeing oppression and privation; others came to escape war or to seek opportunity. Some came willingly; others not. Some found freedom and riches. Most faced discrimination and prejudice. Collectively, they form a mosaic: step forward, and you see just one building, one community, one small colorful, beautiful piece of stone; step back, and you see the bigger picture, a country comprised of many peoples, striving to achieve their dreams of freedom and prosperity in the land that is now their home.

Marcellus Shale Documentary Project

The Marcellus Shale Documentary Project (MSDP) is a collaborative photo documentary project focusing on the social and environmental effects of unconventional gas exploration in Pennsylvania. Photographers Brian Cohen, Nina Berman, Scott Goldsmith, Noah Addis, Lynn Johnson and Martha Rial documented the people and places affected by the arrival, in the early years of the twenty-first century, of what is popularly known as "fracking". A book synthesizes the work of the MSDP, which traveled as an exhibit from 2012 to 2016, and then again, with all new material, for several years more.

The MSDP was generously funded by The Pittsburgh Foundation, Heinz Endowments, Sprout Fund, the William Penn Foundation, the Donald and Sylvia Robinson Foundation, and by several individual donors including Nancy Bernstein, Cathy Raphael, and Josh Whetzel.

Below is a synthesis of Brian’s photographic contribution to the MSDP. The work comprises a combination of panoramic landscapes taken mostly in Butler and Westmoreland Counties, and the stories of three families and their encounters with the oil and gas industry. In Butler County, one of several centers of the industry in Western Pennsylvania, Janet and Fred McIntyre live in The Woodlands, a tiny rural development in Connoquenessing, just outside of Butler, the county seat. Around the time that Rex Energy, a player in the exploitation of the gas fields of Western PA, began drilling near their home, the McIntyres experienced a profound downturn in the quality of their water, rendering it unsuitable for drinking or washing. Neighbors reported similar changes. What followed was a years long saga involving struggles with ill health, challenges maintaining a sense of normalcy, and efforts to assign responsibility for the damage to the water supply in The Woodlands. The story involved a cast of characters from diverse backgrounds, and with a variety of motivations for their involvement: residents, landowners, industry workers, politicians, media. For some, it was the opportunity to earn a daily wage; for others, to accrue large profits. But for the McIntyres, nothing was ever resolved. In late 2016, Rex Energy’s assets were valued at a little under one billion dollars; they filed for bankruptcy in May of 2018.

It is tempting to reduce the people involved in this story to familiar caricatures. But things are rarely that simple. The story of fracking in Western Pennsylvania is a tapestry of interwoven narratives and motivations, and the pressure to lease one’s land to oil and gas companies can override many other considerations. Drilling for gas is a billion dollar business, and the landmen whose job it is to procure mineral rights can be very persuasive. The promise of economic independence can be overwhelmingly appealing to a family struggling to eke out a living. In Westmoreland County, the Miller family made the decision to lease part of their farm property.

In phase two, Brian went back to visit the McIntyres, and also went out to eastern Ohio to meet the Muffet family and learn about their encounter with fracking. The Muffets live on a farm in Noble County, in Eastern Ohio, another center of activity in the Marcellus Shale gas fields. Forty years previously, the Muffets had signed a lease with Oxford Oil and Gas for a shallow gas well on the far side of their property.  As a consequence, they were legally bound to acquiesce when, decades later, a company that had bought the lease chose to frack under their, and their neighbors’ properties.

The story of fracking in Western Pennsylvania is a story of power, greed, and fear; of fortunes made and lifestyles lost; of heroes and villains. It is a story of painful decisions and unforeseen consequences. But it also a story of kindness, generosity, and courage.

An edited version of these stories follows here.

The collective work of the photographers, in phases one and two, can be seen here and here.

Grace Notes

Taken mostly between 2013 and 2015, Grace Notes was a small, individual project about the jazz scene in Pittsburgh. It was exhibited at Manchester Craftsmen’s Guild, one of the centers of jazz, and of arts and trades education, in Pittsburgh.

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